Tag Archives: Marie Marfia

pastel painting of the ludington lighthouse in late fall

Ludington Lighthouse, pastel painting of a late fall scene by Marie Marfia

Another painting of the beach in Ludington, Michigan. Love snow fence as an element in a painting! It’s so bright and lively in an otherwise pretty dull colored seascape. Some people don’t care for the red slash but I just love the splash of color!

Time-lapse of Ludington Lighthouse.
Ludington Lighthouse, 7×5″ pastel painting of a late fall beach in Ludington, Michigan. Available $145.

Here are the studies I made of this painting. Each is 3.5×2.5″.

study of the Ludington Lighthouse painting.
Study No. 1.
Study for the Ludington Lighthouse painting.
Study No. 2.
study for the Ludington Lighthouse painting.
Study No. 3.

This painting is part of a series I’m doing for the Holiday Artsie Craft Show coming up soon! Read all about it here.

If you’re interested in purchasing this painting, please email me.

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pastel painting of the Lake Michigan shoreline with snow and clouds

Ludington Lighthouse, pastel painting of a lake scene by Marie Marfia

November Clouds, 9×6″ pastel on sanded paper by Marie Marfia, ©2019. Available $200.

Here’s a piece that I just completed today. I have been getting out to see Lake Michigan whenever I can now that I live so close. I hope to have a series of these kinds of paintings, the dunes covered in snow and the sky peaking through the clouds, by next spring.

Here’s the time-lapse:

Here are the three small studies (4.5×3″) that I did before I started on the final.

Study No. 1
Study No. 2
Study No. 3

This painting is part of a series I’m doing for the Holiday Artsie Craft Show coming up soon! Read all about it here.

If you’re interested in purchasing this painting, please email me.

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First Light, pastel painting of sunrise in Michigan

My dogs love wandering around in our “back forty” now. So many little critters to roust out of their beds! I like being out there, too. Especially on mornings like this, where the sun and the clouds combine to make a colorful layered palette in the sky–blue, purple, pink and gold. It’s just glorious.

First Light, 8×5″ pastel on sanded paper by Marie Marfia, ©2019. Available $180.

Here’s the time-lapse for this painting:

Time lapse of First Light, pastel painting by Marie Marfia.

And here are the studies I did first. Each one is 4×2.5″ on sanded paper.

First Light study no. 1, red and purple underpainting.
First Light, study no. 2, red and yellow underpainting.
First Light study no. 3, blue and yellow underpainting.
First Light study no. 4, blue and aqua underpainting.

This painting is part of a series I’m doing for the Holiday Artsie Craft Show coming up soon! Read all about it here.

If you’re interested in purchasing this painting, please email me.

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pastel painting of a winter scene

Heavy Snow, pastel painting of the first snow of the season

I know I’m probably going to get tired of it sooner than later, but for right now I’m really loving the snow!

Here’s a time-lapse of a pastel painting from this morning’s walk out in the back of our new place.

Heavy Snow, pastel painting time-lapse.

I’m busy painting a few originals to bring to Laurie Carey & Friends Holiday Artsie Craft Show that’s coming up in just about 10 days. This snowfall came at just the right time for me to make some new winter scenes.

Before I did the larger painting, I did four little studies using a different watercolor underpainting for each one. Then I picked the underpainting I liked best for the final. Here are the little studies, all 2.5 x 4″. Can you tell which study I used as a reference?

Heavy Snow, study no. 1
Heavy Snow, study no. 2
Heavy Snow, study no. 3
Heavy Snow, study no. 4
Heavy Snow, 5×8″ pastel on sanded paper by Marie Marfia ©2019. Available $180.

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pastel painting of a river bend at sunset

River Bend Sunset pastel painting time-lapse

I’ve been having fun with an online pastel painting class by Marla Bagetta for the past few weeks. This painting is a result of an assignment to take a black and white landscape photo and turn it into a nocturne. So much fun!

Here’s the time-lapse for you:

Fun with nocturnes!
River Bend Sunset, 9×12″ pastel on sanded paper by Marie Marfia, ©2019. Available $300.

If you’re interested in purchasing this painting, please email me.

Here it is with my reference photo.

River Bend Sunset with reference above.

I love to take classes, especially with someone whose work I admire. I learn something new with every lesson and I feel like I make more progress when I am accountable to someone other than myself.

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Gold Coast Artisan Fair is this weekend!

I’m kind of excited.

As you can see, I’m still trying to work out the flow in my booth… Flow is so important.
I kind of like the idea of hanging cards on paracord, like little flags waving in the wind. (Oh, god, I hope there’s not too much wind!)
To bring the skeleton table and chairs or not to bring the skeleton table and chairs… It’s a conundrum.

The question that still haunts me

I am still gathering together the inventory for this show. I have never exhibited here so I don’t know quite what to expect. Should I bring mostly Old (Dead) Masters? Or skeleton couples? Skelvis? I just don’t know. I guess I’ll bring a little bit of everything and see how it goes!

I’ll have stickers at the booth!

The giveaway

I’m going to give away a large print of one of my skellies after the show. I haven’t decided which one it’s going to be or whether I’m going to let the winner choose. (Email me your opinion and possibly confuse me even more!)

To enter, just stop by my booth (Section B, space 8) and fill out a form. While you’re there you can also get on my mailing list, but that’s totally optional. You don’t have to be on my mailing list to enter the contest. (But it’d be awesome if you were.)

The important stuff

What: Gold Coast Artisan Fair
Where: Rotary Park, downtown Ludington, Michigan
When: Saturday, August 10, 10-5 and Sunday, August 11, 10-4

The call

Come on out! Say hello! Sign up to win a skelly print! And tell all your friends!

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Location, location, location

I moved my studio/gallery/office this past spring. Same building as before, but now I’m in the way back. Like, really far back. Like, so far back that no one really knows I’m there yet.

This way to my new space!

Which is kind of a relief.

To be honest, the space at the front of the building, with the big plate glass windows, felt too exposed. Anyone could see in.

Sometimes I’d put the closed sign on the door, just so I could relax a little bit. You know, roll out the yoga mat, do some stretches, take a nap, adjust my attitude.

There were days when I dreaded going in because the place was such a wreck. When I paint I have this tendency to pick pastels up and then drop them on any available surface and then it might be a day or two before they all got put back where they belonged. Yes, all right, it took months sometimes.

This was a problem because someone might see. But I couldn’t seem to stop making a mess. And then I’d feel embarrassed. Which is wrong, because a studio has to be able to be messy. That’s when the creativity happens for me. When every possible thing is floating around inside and outside my head. When it’s all loose.

But the old space was also a retail space and an office. So I was feeling some pressure to keep it looking nice.

The new space is not so nice, if you know what I mean. The brick walls are crumbling in spots. The drywall on the ceiling needs to be painted. The floor is plywood with gray paint on it. I’ve got frames and paintings everywhere.

My handy husband made me this huge table from two by fours and a varnished closet door and I’ve spread all, and I mean all, my pastels out on it. I can see every color of the rainbow all the time! It’s like living in a Froot Loop fairyland.

Anyway, I hope you stop by and visit the new digs. I plan to make lots of art and a ton of messes and I don’t care who sees.

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Daily paintings

I did a study on regular Canson paper and then a larger one on sanded paper. I’ve been reading Carlson’s book about painting landscapes and it’s really helping me a lot.

This is the one on Canson paper, 6×8″.
This is the one on sanded paper. I also started with a warm (red, orange, yellow) alcohol underpainting with this one. 11×14″.
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Skelly on the Half Shell parody of Botticelli's Birth of Venus

Skelly on the Half Shell – On Sale!

Finally done! Yay!

pastel painting of Skelly on the Half Shell, a parody of Botticelli's Birth of Venus
Skelly on the Half Shell, done! Yay!

This piece took a while but it was totally worth it, if I do say so. She is fabulous!

At first I wasn’t sure I wanted to tackle the entire painting by Botticelli and I thought maybe I’d just do Venus. But it was going to be awkward because she’s not really standing in the center of the shell and I’d have to cut something off so I thought, oh the hell with it, I’ll just do the whole thing.

Coincidentally, I happened to read about a method using pastel pencils to create portraits that really kind of glow so I thought I’d try it out on this particular work. Lo and behold, it ended up being awesome, but it also took a loooooooong time to do!

So apologies for making you wait so long for the latest in my Old (Dead) Masters series, but wasn’t it worth it? I think so!

To celebrate, I’m offering 25% off paper prints and 10% off canvas prints of Skelly on the Half Shell from April 30 through May 6, 2019!

Again, thanks for your patience! Enjoy the sale!

Skelly on the Half Shell, detail 1
Skelly on the Half Shell, detail 1.
Skelly on the Half Shell, detail 2
Skelly on the Half Shell, detail 2.
Skelly on the Half Shell, detail 3.
Skelly on the Half Shell, detail 3.

Click to go to the Skelly on the Half Shell page in my shop!

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