Thought I’d share some progress on the the latest skeleton Old (Dead) Masters painting. It’s coming along. I’m doing some refining right now, and that’s going to take a bit. I like doing these because they’re like a real intense workshop on the style of the artist whose work I’m copying. That’s definitely the case with this one.
Here’s the final!
Finally! These parodies always take forever to finish. I have so much respect for the original creators of the pieces I copy. And I learn a ton while I’m working.
So, no official title for this one yet. If you have a suggestion, please send it along. Of course, puns are given first priority and if I pick your title to use, I’ll happily send you a print as a thank you. Email me, email@example.com, and tell me your idea!
As soon as I have a title for this one I’ll be adding it to my Etsy downloads and my Fine Art America shop, so I’ll keep you posted.
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So Melissa sent me this beautiful selfie for my 100 Portraits in 100 Days series, asked me to roll the dice and this is the result! Such a pretty face! And pink hair! It was like drowning in cotton candy.
Melissa Hill, No. 3, 100 Portraits in 100 Days, 6×9″ pastel on mat board with pumice ground by Marie Marfia. This pastel is available, $100 + $12 shipping. Contact me for more info.
First, I’d like to thank Rae Crowley, who sent me a selfie and told me to roll the dice. I rolled a 5, so I skullitized her portrait. How cool to start the series off that way!
No. 1, 100 Portraits in 100 Days, 6×9″ pastel on mat board with pumice ground, by Marie Marfia. Available $100 plus $12 shipping. Contact me to purchase.
The first one is always the hardest, isn’t it? I didn’t have my stuff ready to go, had to find mat board, the pumice mixture, find a cup to mix it in, a brush, a rag, my pastels. Oh blah, but in spite of all that, I had fun when it got right down to it, and I think it turned out well, don’t you? Onward!
This study is based on another picture looking out at the end of US-10 in Ludington, probably late fall. That’s the time of year when the sunsets are spectacular and the clouds fly low and dark at the end of the day. I’m really looking forward to being up there again, doing more clouds. This series has been an eye opener for me in a lot of ways.
First, I’ve discovered that I really like painting clouds, and the moodier they are the better I like them. Second, it’s good practice to be looking up all the time instead of down. Just gives you a better outlook on life, I think.
Stormy Weather, 5×8″ pastel on paper by Marie Marfia. $75, unframed. Contact me to purchase.
This painting is number 5 in the Paint the Sky challenge given by Karen Margulis, and it is based on a photo I took while on the beach at Mickler’s Landing, in Ponte Vedra, Florida.
While I’m not fond of hanging out when storms are coming in (all that lightning makes me kind of nervous), I couldn’t resist taking a picture before leaving. I especially like the reflected light in the ocean under the clouds. Cool!
Dark Horizon, 5×8″ pastel on Canson mi teintes paper by Marie Marfia. $75, unframed. Contact me to purchase.
This is another in the Sky paintings series, from a challenge issued by Karen Margulis after her mini workshop, Paint the Sky.
This is based on a photo that I took while out walking in the Julington Durbin Preserve. The clouds were blanketing the sky to the east but there was sun peeking out along the horizon and the light was frosting the tops of the clouds further up in the sky. It was really gorgeous. And this was fun to paint.
I used tertiary color in the clouds to get the grays I wanted, pale yellow, lavender and a cool aqua. Awesome way to get to gray! I probably knew this on some level, but it’s always nice to get the info straight from the expert’s mouth.
Gold and Lavender, 4×6″ pastel on UArt paper by Marie Marfia. $60, unframed. Contact me to purchase