Thought I’d share some progress on the the latest skeleton Old (Dead) Masters painting. It’s coming along. I’m doing some refining right now, and that’s going to take a bit. I like doing these because they’re like a real intense workshop on the style of the artist whose work I’m copying. That’s definitely the case with this one.
Hey, now’s your chance to see my Old (Dead) Masters show up close and in person at the Ludington Area Center for the Arts in October!
The timing for this show is too perfect! When I got a message from Ludington Area Center for the Arts saying they had a last minute cancellation and could I possibly bring in my Old (Dead) Masters paintings to display in the Performance Hall Lobby, I said yes, yes, yes!
I love this time of year. Of course, skeleton art is appropriate at any and all times of the year, in my opinion, but especially in October. It rocks!
This show features all the Old (Dead) Masters pieces that I have, each in a beautifully appropriate skull themed frame. You have to see them, they’re too cool!
So if you’re looking to get into that spooky skeleton mood this year–not that there’s anything not terrifying about 2020 so far, mind you–please make the trip to see my beautiful Old (Dead) Masters show. The art is fun and not too scary, so appropriate for all skeleton lovers, no matter their age. And it’s only up through October!
Bonus activity: see if you can correctly identify each of the famous artists/works that I parodied for each piece!
Yay! All done. That was quick. Sort of. Compared to the last one, I mean. Skelly Godiva was a challenge in more ways than one but I’m very pleased with how she turned out.
Actually, it might have been worse. Fortunately for me, Collier’s original included a beautiful red blanket covering most of the horse, so I wasn’t faced with a second ribcage to render, hah! It’s the little things that keep me from going insane on these pieces.
This probably took me close to 40 hours to finish. The Old (Dead) Masters paintings often require a lot more craftsmanship, just because I’m going for a pretty accurate copy, otherwise the joke falls flat. Well, maybe it does anyway for some people, but those aren’t the ones I am painting for!
The original has been sold (thank you, Mary!) but of course you may purchase canvas wraps, paper prints and cards of the finished artwork in my shop or things like pillows, phone cases and mugs in my Fine Art America shop.
Thanks again, Megan, for the idea to do a Lady Godiva skeleton painting!
Here are some time-lapses of my latest work in progress, Skelly Godiva. This is number 19 in my Old (Dead) Masters series and it’s based on a classic painting of Lady Godiva by John Collier. Enjoy!
This piece took a while but it was totally worth it, if I do say so. She is fabulous!
At first I wasn’t sure I wanted to tackle the entire painting by Botticelli and I thought maybe I’d just do Venus. But it was going to be awkward because she’s not really standing in the center of the shell and I’d have to cut something off so I thought, oh the hell with it, I’ll just do the whole thing.
Coincidentally, I happened to read about a method using pastel pencils to create portraits that really kind of glow so I thought I’d try it out on this particular work. Lo and behold, it ended up being awesome, but it also took a loooooooong time to do!
So apologies for making you wait so long for the latest in my Old (Dead) Masters series, but wasn’t it worth it? I think so!
Summer’s gone now. The trees are starting to turn. I saw a pair of brilliantly colored trees, red and orange, on my way down to Grand Rapids to drop the skelly paintings off for ArtPrize Nine.
I’m sorry summer’s done but I’m enjoying the cool mornings for walking in the woods with my dogs and it’s nice having seasons again. Makes me think of football games, raking leaves and the smell of burning stuff in the air.
Last week one of the neighbors had such a big burn pile going that it made a fog over our entire back yard. The sun was low in the sky and it lit up the smoke, throwing the trees in silhouette.
Part of me was thinking, “I hope I don’t die as a result of all this toxic smoke in the air,” and the other part was thinking, “This is so cool looking!” I ran in to get my phone for a picture but by the time I came out again, most of the smoke had dissipated. I can still picture what it looked like, the branches all backlit and peeking through that huge cloud of smoke.
Signed, sealed and delivered
Frida Skelly with Monkeys, 12×18″ pastel on sanded paper.
You’ll be happy to know all seven Old (Dead) Masters paintings are officially delivered to the bitter end coffeehouse and by this time next week lots and lots of people will have a chance to see them up close and personal. I’m excited and nervous and feeling a lot of dread right now.
Kind of like I used to feel right before a particular fundraising auction in my previous life as a Rotarian. Back then I’d have nightmares about nobody showing up and then to add insult to injury, I’d get what I called my “Christmas Cold Sore” on the day of. It never failed.
My contact at the bitter end wasn’t there when I arrived but his father, Mike, was. Mike told me that when he and his son, John, first saw the skellies they knew right away they were perfect for their place.
“We’re on the fringe of ArtPrize so we appreciate art that’s also kind of out there,” he said. “We had another exhibitor a few years ago, and she had twelve pieces featuring the role of underwear during the course of a person’s life. It started out with diapers and it ended with them, too.”
I think I couldn’t have chosen a more perfect place to exhibit skeletons in, don’t you? Meantime, I keep feeling my lip for impending cold soreness. So far, so good.
Another in my Old (Dead) Masters series, Vincent Van Skelly is my homage to the wonderful Vincent Van Gogh and his Self-Portrait with Bandaged Ear.
I liked the original piece because it’s all complementary colors, green and red and orange and I liked that he chose to paint himself with his bandaged ear foremost. Like he was saying, here I am, with all my faults, now deal with it.
I imagine he was sorry that he’d lost his temper, and in the process, a good friend, Gaugin, because of it. I can relate. I have a quick and violent temper myself, although I’ve been a lot calmer lately. I think it’s because of yoga every day. I wonder if Vincent would have been happier with a daily yoga practice? Well, probably non-lead paints would have helped, too.
Want to know something interesting? On the page opposite this picture in the book Van Gogh’s Van Goghs, there is a picture of a skull that Van Gogh painted. How do you like that? I’ll bet he wasn’t working from an anatomically correct resin repro either. I wonder how hard it was to get a real skull to work with back in those days?
Here’s my take on Johannes Vermeer’s “Girl with a Pearl Earring.” I can’t remember now how I happened to decide on this one for my Old (Dead) Masters series, but it might have had something to do with my scaling my artwork down right now while we wait for our house to sell.
All my studio is packed away and has been for weeks and it just got to the point where I decided I’d rather paint small than not at all! Accordingly, this is a relatively small painting, only 8×10″, perfect for an apartment or tiny house!