Here are some time-lapses of my latest work in progress, Skelly Godiva. This is number 19 in my Old (Dead) Masters series and it’s based on a classic painting of Lady Godiva by John Collier. Enjoy!
So Au Moulin Skelly is done, done and done! While working on it I got to thinking about bars and how I used to enjoy going to them when I was younger. You know, BK (before kids). I remember looking forward to the weekends, getting dressed up, dancing with my friends, drinking to excess…
Those days are way behind me now, but painting this nightclub scene, with all these skeletons clearly having a great night on the town, reminded me how much fun that used to be.
I can’t help but imagine the stories behind all the figures. Like the guy at the top left looks like he’s either on his way to the men’s room or he just got rebuffed by the two beauties primping in front of the mirror. What do you suppose they’re all talking about at the table in the middle? And why is that woman photo bombing the picture from the right? Let me know in the comments what you think! Henri de Toulouse-Lautrec probably had a lot of fun painting the original. I know it was fun to recreate it peopled with skeletons!
Pretty happy with the way this turned out. I hope you all like it as much as I do. Click the link if you want to learn more about the Original Red Mill (Au Moulin Rouge).
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Nearly finished with this one. It’s been such a great challenge! So many figures. You really come to understand better how brilliant Toulouse-Lautrec was in the way that he arranged the people in this painting, and made decisions about colors and values. My palette for this was twelve NuPastels, by the way. I wasn’t sure about using black, but in the end, I did it and I’m glad. It really pushed the forms and added so much to the painting overall.
I still have some tweaking and cleaning up to do, but the next time you see this, it will be done, done, done. Here are the progress pics:
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I have copies this painting before, way back when I was in college. Back then I made a wood cut print and turned all the figures into punks. It was awesome. My brother and his wife have one of my artist’s proofs framed in their home. I thought it’d make a great entry in my Old (Dead) Masters series, so I’m tackling it again in pastel.
I love Toulouse-Lautrec. His paintings are surreal looking, especially this one, with the ghostly green face of the woman on the right, the crazy angles of the bar and the floor boards. I love the young ladies preening in front of the mirrors along the back of the room. It’s a great painting and I feel lucky to be able to screw around with it.
Here’s some work in progress pictures of my initial sketch for this painting. Notice that I started this the first time with the paper the wrong way up. I had to wipe out the first charcoal drawing and turn it 90 degrees and start again. Oh well. It’s my brain. It remembers things just fine, but usually kitty-whompus, like I’ll remember colors but complementary to the ones that are actually there. I’ll substitute blue for orange and red for green. In this case, I remembered wrongly which side was longer. Weird. Check twice, draw once.