Tag Archives: portrait

pastel portrait of a smiling couple in pastel

Paul and Jan – WIP pastel portrait of my brother and his wife

pastel portrait of a smiling couple in pastel

Paul and Jan, WIP, 11×14″ pastel on paper. ©Marie Marfia.

Paul and Jan, WIP. 11×14″ pastel on sanded paper of a smiling couple. ©2018 Marie Marfia

Pastel portrait of Paul and Jan

This is coming along pretty well. At least, I’m pleased with it so far, although I’m carefully telling myself not to fall in love with it yet because that makes it more difficult to finish.

This is my second attempt at a portrait of my brother, Paul, and his wife, Jan. The first time the reference photo was just too low-resolution to work. I don’t like to get too detailed with my portraits but that doesn’t mean I can work without any detail at all. This year I brought my SLR camera to the reunion instead of relying on my phone and ended up with a much better photo selection.

This portrait is based on two separate photos, one of Paul that I took and another one of Jan that someone else had taken at the same event. The photo of Jan showed her with her head tilted sideways and standing under a picnic shelter, so the light on her face was a lot different from the picture of Paul, who was sitting out in the sunshine. Thanks to Photoshop I was able to match the colors so that I could work from a reference that looked like they actually posed together. Hurray!

Here are time-lapse videos of the progress on this portrait so far. Hopefully, I’ll have it done by next week’s email. Stay tuned!

Hope to finish soon. Stay tuned!


If you’d like to commission a portrait, please send me an email or give me a call, 904-566-4473. I love painting faces and yours (or someone you love) could be next on my easel!

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pastel portrait of a laughing woman

Time lapse portrait of a friend

pastel portrait of a laughing woman

Laughing Lizzie, 9×6″ pastel on paper. ©2018 Marie Marfia.

Session 1

This is my friend, Liz. She sent me three pictures of herself to work with. I liked the one of her laughing the best. I still have to finish this one, so check back for the final version. This is a 9×6″ pastel on moonstone color Canson mi-teintes paper.

Session 2

Session 3

Here’s my reference.

 

 

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acrylic painting of a pit bull dog face in purple

004 Purple Dog

acrylic painting of a pit bull dog face in purple

Purple Dog, no. 4, 6×6″ acrylic on canvas. ©2018 Marie Marfia

Purple Dog

I remembered this morning that I had the Anderson Creek Kennels facebook page to use for inspiration and sure enough, there was a sweet pit in today’s pictures. I’ll probably do a bunch of doggy portraits. They’re really perfect for this size.

Calling it finished

Also figured out what to do with the background on this portrait of my brother Joe and his wife Anna. Two of my favorite people in the world. This was a pleasure to complete.

pastel portrait of a couple smiling

Joe and Anna, 11×14″ pastel on sanded paper. ©2018 Marie Marfia.

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pastel painting of a red headed man and two ginger spotted chihuahuas

Three Gingers

 

pastel painting of a red headed man and two ginger spotted chihuahuas

Three Gingers, 6×9″ pastel on board, $110.

I saw this young man with his two sweet dogs walking out in front of my shop and asked him if I could have a picture. He said they were two rescues. Cute pups. One of them needs a hernia operation and he was visiting the pawn shop nearby, presumably to come up with the money for her? I couldn’t resist their faces and they seem so calm and happy with him. I called it Three Gingers because the little dogs each have ginger colored patches that matched their master’s hair.

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pastel painting of a smiling man

No. 94, smiling guy

Smiling faces. I can say one thing about this series and that is, I’ve never studied so many smiling faces in my life!

You know, with life model studies the model is never smiling. It’s too hard for them to maintain an expression like that during a long pose. That’s one of the advantages to working with photos. It can be any expression at all, including the manic grin on the face of today’s portrait.

There’s something nice about working on smiling faces all the time. No matter what’s going on elsewhere in the world, right in the moment that I’m working, the person whose face it is that I’m studying is in a happy place. It probably has an effect on me, too, now that I think about it. It’s probably got something to do with science. I don’t know why or how it works, but if it’s science, I approve.

 

pastel painting of a smiling man

No. 94, 100 Portraits in 100 Days, 6×9″ pastel on Canson mi-teintes paper by Marie Marfia

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Pastel portait of a grumpy tortoise

No. 88, Mr. Grumpy Pants

Actually, I have no idea if this tortoise is feeling grumpy or not. This might just be his resting tortoise face. Maybe he’s feeling ecstatically happy right now. I bet tortoises would make excellent poker players.

This morning I attended an artist’s critique get together and signed up for membership in the Ludington Area Center for the Arts while I was there. Then I had an enjoyable lunch with five other artists. This is so much fun, meeting arty people and doing arty things. It’s hard to believe that I lived so long without any of this in my life.

I feel like I want to live as long as this tortoise guy, just so I can catch up on everything I’ve been missing, you know?

Pastel portait of a grumpy tortoise

Mr. Grumpy Pants, No. 88, 100 Portraits in 100 Days, 6×9″ pastel portrait on gessoed mat board by Marie Marfia.

Thank you to Eric Kilby for contributing the photo reference for this piece. Here’s a link to the Creative Commons Flickr group where I found it.

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pastel painting of a young woman

No. 86, Arielle

This woman. She is full of ideas, and mischief, which is kind of the same thing. I wanted to paint her in the style of an artist I only just found out about this morning, Richard Suckling. His plein aire landscapes are full of big marks and squiggly lines and I want my art to be like that, so today I did a more gestural drawing to start with and then I made sure I stopped before I’d completely covered it up. I like the lines! I think they give my work a more dynamic feel. And Arielle is the perfect subject for this, because she’s all about movement. She wants to do things, to change things, to make things better. She’s a mover and a shaker and this is what I see reflected in this portrait. Aahh! Love it.

pastel portrait of a young woman with red hair

Ariel, No. 23, 100 Portraits in 100 Days, 6×9″ pastel on paper by Marie Marfia

You may remember Arielle as this skull painting (No. 23 in this series), as well. She’s awesome on the inside, too.

pastel painting of a young woman

Arielle, No. 86, 100 Portratis in 100 Days, 6×9″ pastel on gessoed mat board by Marie Marfia

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pastel painting of a dachshund puppy dog

No. 84, Kippy

I made a few new furry friends over the weekend when Steve and I went to visit his mom. She lives in an assisted living facility in Flint, Michigan. As soon as we arrived we hustled her down to the lobby because there were puppies!

Well, they’re probably grown dogs, but they’re miniature dachshunds so they look tiny and are so much fun to pet and hold! Miss Diana likes to pet them a little but she’s mostly there to spend time with Johanna, her friend. Johanna loves the dogs and she makes a point of coming to see them whenever they visit. She has a particular favorite, Shelby, who sits on her lap like a little queen and allows herself to be petted by no one but Johanna for the entire hour. It’s cute and sweet and makes Johanna so happy.

Kippy, the puppy I painted today, was off being held by someone else. I snuck in a picture of him to paint later and here it is.

pastel painting of a dachshund puppy dog

Kippy, No. 84, 100 Portraits in 100 Days, 6×9″ pastel on gessoed mat board by Marie Marfia. Available here.

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pastel painting of a couple

No. 80-81, 100 Portraits in 100 Days, Mary and Jonathan

You know why I like this picture? Because my sister is in it and she’s got a little bit of white fuzz on her head. This means she’s still alive, the cancer didn’t kill her and her hair is coming back. Also, I love that her partner Jonathan is right there with her, that they’re leaning into each other, supporting each other.

It was fun to paint, too, at first. And then it sucked. And then it was fun again towards the end. And then it went wrong and I decided to quit before it all blew up.

I never know what I’m going to get when I start one of these. And when the subject is important to me, it makes it tougher. It doesn’t matter how many times I tell myself that nothing is precious, that a painting is just a painting, that if I drew it once I can draw it again. It still feels as if each one is the only one I’m ever going to do. I still find myself angry and frustrated when it’s not going well.

When that happens, I go for a walk, or I read something inspiring, or I write and try to figure out why I’m so upset. You’d think it would be obvious. I mean, I’m me, who better to know what’s bugging me, right? But sometimes I’m the last to know.

pastel painting of a couple

No. 80-81, 100 Portraits in 100 Days, Mary and Jonathan, 8×10″ pastel on sanded paper by Marie Marfia

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Pastel portrait of Steve with a beard.

Happy New Year!

Okay, I’m a little late, but it’s okay. I’m the only one here and I’m not going to tell.

Along that line, I have a confession to make. I left my dogs home again.

Is it wrong? It’s so cold here at the Maker’s Market anyway. I know they’re fine at home with Steve. I just feel guilty leaving them behind every morning when I take off for the studio. But I’m also interested in how my brain works without being interrupted by the needs of my pets all day.

Back when my kids were small I used to take one weekend off a year to go camp with my girlfriends. I would have a wonderful time just being me for three or four days. No one called me Mom, or asked me to do anything for them, or needed to be nursed or changed or rocked. It was bliss.

Then, when I arrived back home, I noticed that my kids were smaller than I remembered.

I think that all the worrying and caregiving that I do and did made my charges grow to enormous sizes in my head. All it took to shrink them back to normal was some time away from them.

It’s the same with world problems and pet problems and any kind of problems. The more I worry and fret, the bigger they get. But all I have to do is turn off the radio, or get some distance away from them, even if it’s just for a few hours, and poof! they are reduced to manageable sizes again. It’s magical.

Here’s today’s portrait, No. 79, Steve with a Beard. Still slogging toward the finish of 100 Portraits in 100 Days.

I like this portrait because it was quick, about 20 minutes, and the strokes are expressive and loose. I got a likeness without belaboring the point. That’s all I really wanted.

Pastel portrait of Steve with a beard.

Steve with a Beard, No. 79, 100 Portraits in 100 Days, 6×9″ pastel on gessoed mat board by Marie Marfia.

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