This woman. She is full of ideas, and mischief, which is kind of the same thing. I wanted to paint her in the style of an artist I only just found out about this morning, Richard Suckling. His plein aire landscapes are full of big marks and squiggly lines and I want my art to be like that, so today I did a more gestural drawing to start with and then I made sure I stopped before I’d completely covered it up. I like the lines! I think they give my work a more dynamic feel. And Arielle is the perfect subject for this, because she’s all about movement. She wants to do things, to change things, to make things better. She’s a mover and a shaker and this is what I see reflected in this portrait. Aahh! Love it.
Ariel, No. 23, 100 Portraits in 100 Days, 6×9″ pastel on paper by Marie MarfiaYou may remember Arielle as this skull painting (No. 23 in this series), as well. She’s awesome on the inside, too.

Arielle, No. 86, 100 Portratis in 100 Days, 6×9″ pastel on gessoed mat board by Marie Marfia