This is the same place as yesterday’s post but today I just painted what I remembered. I like it better. It’s truer to what I meant rather than what the camera meant, if you know what I mean. It’s fresher feeling, more lively. I like it.
This painting is available in my web store for $110, includes shipping.
Here I am sitting on the floor in my tiny house, working on the third pastel of the morning. I’ve been trying to do more work per day because I think it’s the only way I’m going to get better. The first two little paintings were fine and I’ll probably post them later but this one is the one that I really liked. Just like the overall ominous quality of it and the way the path just stops dead in front of that line of dark forest.
Morning Walk with Daisy, 9×6″ pastel on paper. Available $110.
This is a pastel painting of my dog Daisy, walking along a path through the Manistee National Forest. This road in particular is one of our favorites. It winds along the Pere Marquette River for about a mile and goes past a couple of really awesome camping areas. They’re usually full of campers on the weekends, but now that it’s after Labor Day I’ll probably come here more often.
Here’s a video of me working on this piece:
Some detail shots here:
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“Roger Coming at You” 18×12″ pastel on paper by Marie Marfia..
This is a pastel of my dog, Roger. He’s the one that always comes at you for a pat after he’s finished investigating whatever was in the ferns on the side of the road. Daisy goes around you, but Roger comes right at you. He’s a very good boy.
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Walked around the Custer cemetery today after dropping Sam off at work. I like all the towering pines there and the dogs have lots of things to sniff. We skirted the cemetery proper and made our way down an almost completely overgrown path leading to the river. Alas, there were people fishing along the opposite bank and I didn’t want to disturb them (Roger went on full alert as soon as he heard humans talking). So I settled for a picture of an angler through the trees and we made our way back to the car and home.
This is a study based on a photo of the light through the trees. The river is just beyond the tree line.
I did not want to come in to the studio today. If you didn’t know, three weeks ago I fell while walking in the woods and my leg has been achy ever since. It’s maddening to still be limping around, gobbling ibuprofen and whining all this time later.
When I woke up today and the pain hadn’t magically disappeared overnight (again!) I wanted to crawl back under the covers and sleep the day away. But I remembered I had a bag of trash that needed to be set out on the alley, and I needed to paint a pastel for the day (hadn’t brought home my travel pastel kit), and oh, half a dozen other things.
On my way to put out the trash I noticed the door to one of the apartments in the building next door had swung open sometime overnight so I closed it because I’m a good doobie. I stopped and caught up with Hannah, who has the dog grooming business up the street from me. I got this painting done and I like two things about it (the line of red brush and the sky).
I named it Convergence because of random events that happen when I set myself on a path and because I’m attracted to compositions that meet up somewhere off center. I’ve noticed that a lot of my landscapes feature roads or paths that end before they reach the horizon and that’s something worth thinking about. I have a pretty good hunch about it. I’ll let you know when I have it sorted out in my head.
Sitting on a Log, 5×7″ pastel on sanded paper by Marie Marfia. $90.
This little painting is about sitting on top of a log in the middle of the Manistee National Forest. Steve and I had gone walking around a potential camping spot near the Pere Marquette River and started wandering along a deer path. Deer seem to pick out the prettiest places to walk along. Anyway, we came across this huge tree across the path and naturally, Steve wanted to climb aboard and pose for a picture. I love living around here.
This is one of my daily paintings. If you would like to purchase it, please email me.
One good thing about doing a series based on the same scene is that the biggest question is already answered, which is, “What am I going to paint?”
With that out of the way, I’m free to do whatever I want with the subject. Today I decided to use a palette based on a print I bought about a year ago. The print is of a beach scene done in bright, cheerful colors, which is what drew me to it, more than the subject matter. I liked the graceful swoops of the artist’s brush work, too, and that’s something that I can do with pastels, especially if I start with a board that I’ve brushed pumice onto, like this one.
It also helps that I just got off the phone with my brother Joe, one of my favorite people in the whole world.
Because I’m Happy, 5×7″ pastel on gessoed Crescent board by Marie Marfia. $75, unframed. Contact me to purchase this painting.
One of the things that Karen Margulis talks about with her landscape paintings is adding “spice” at the end. In this case, I think I over did the spices. But it’s still a pleasing little study. Next time, either pink or turquoise, but not both! It’s likely to lead to indigestion!
Spicy, 5×7″ pastel on gator board with pumice ground by Marie Marfia. $75, unframed. To purchase, please contact me.