Category Archives: Skeleton

Skeleton

painting of skeleton couple

Nos. 16-17, 100 Portraits in 100 Days

Nos. 16-17, 100 Portraits in 100 Days

painting of skeleton couple

Nos. 16-17, 100 Portraits in 100 Days, 8×10″ pastel on UArt 400 sanded paper, mounted on foam core, by Marie Marfia. Available $200 plus $12 shipping.

Here’s a cute couple. From the reflections in their sunglasses, I think they must’ve been at a park when they took their picture. Awesome! I’m a nature gal, myself. Although, I can get my fill in an hour or two. I love walking the trails, but I don’t want to be out there all day! I got stuff to do! Places to go! People to see! Know what I mean?

You’ll notice that on this portrait I opted to use a distorted grid. Couldn’t resist. It was such a twisted sort of skeleton portrait to do.

Here’s the progress pics:

Read more about my 100 Portraits in 100 Days project, and follow along on Facebook or Instagramor TwitterSign up for my newsletter and be the first to see my portraits as I finish them!

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pastel painting of 2 skulls just getting engaged

Nos. 12-13, 100 Portraits in 100 Days

Here is Liz’s selfie of her and her fiancee, showing off the big rock on her fourth phalange. Oh happy day! They’ve since gotten married. I fell in love with her blue hair while working on this piece.

pastel painting of 2 skulls just getting engaged

Liz and Fiancee, Nos. 12-13, 100 Portraits in 100 Days, 8×10″ pastel on UArt 400 sanded paper mounted on foam core by Marie Marfia. This painting is available, $200 plus $12 shipping. Contact me to purchase.

Read more about my 100 Portraits in 100 Days project, and follow along on Facebook or Instagramor TwitterSign up for my newsletter and be the first to see my portraits as I finish them!

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No. 1, 100 Portraits in 100 Days

First, I’d like to thank Rae Crowley, who sent me a selfie and told me to roll the dice. I rolled a 5, so I skullitized her portrait. How cool to start the series off that way!

skeleton portrait

No. 1, 100 Portraits in 100 Days, 6×9″ pastel on mat board with pumice ground, by Marie Marfia. Available $100 plus $12 shipping. Contact me to purchase.

The first one is always the hardest, isn’t it? I didn’t have my stuff ready to go, had to find mat board, the pumice mixture, find a cup to mix it in, a brush, a rag, my pastels. Oh blah, but in spite of all that, I had fun when it got right down to it, and I think it turned out well, don’t you? Onward!

Here are the progress photos:

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Vincent Van Skelly

Vincent Van Skelly

Another in my Old (Dead) Masters series, Vincent Van Skelly is my homage to the wonderful Vincent Van Gogh and his Self-Portrait with Bandaged Ear.

I liked the original piece because it’s all complementary colors, green and red and orange and I liked that he chose to paint himself with his bandaged ear foremost. Like he was saying, here I am, with all my faults, now deal with it.

I imagine he was sorry that he’d lost his temper, and in the process, a good friend, Gaugin, because of it. I can relate. I have a quick and violent temper myself, although I’ve been a lot calmer lately. I think it’s because of yoga every day. I wonder if Vincent would have been happier with a daily yoga practice? Well, probably non-lead paints would have helped, too.

Want to know something interesting? On the page opposite this picture in the book Van Gogh’s Van Goghs, there is a picture of a skull that Van Gogh painted. How do you like that? I’ll bet he wasn’t working from an anatomically correct resin repro either. I wonder how hard it was to get a real skull to work with back in those days?

Here are the progress pics:

The original Vincent Van Skelly is available in my shop, and also as a signed 8×10″ print, a signed 11×14″ print and a greeting card.

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Skelly with a Pearl Earring by Marie Marfia

Skelly with a Pearl Earring

Here’s my take on Johannes Vermeer’s “Girl with a Pearl Earring.” I can’t remember now how I happened to decide on this one for my Old (Dead) Masters series, but it might have had something to do with my scaling my artwork down right now while we wait for our house to sell.

All my studio is packed away and has been for weeks and it just got to the point where I decided I’d rather paint small than not at all! Accordingly, this is a relatively small painting, only 8×10″, perfect for an apartment or tiny house!

Here are my progress pics for this piece:

 

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pastel painting of homage to Reginal Marsh's High Yaller

High Skeller

Whew! She’s done and I’m so glad. You ever have a project that you want to finish but you just can’t seem to move forward on it? That was me last week.

Finally, I sat down and wrote a short piece about a person named Marie who just got down to it and finished the painting she’d been wanting to finish. Then I decided to hold myself accountable by live streaming the process. And it worked! Something about having someone in the room watching me actually do the painting really motivated me to finish it.

So, I’m very happy to present my beautiful skelly in yellow for your viewing pleasure. See the guy in the back? He’s enjoying her, too.

pastel painting of homage to Reginal Marsh's High Yaller

High Skeller, 20×16″ pastel painting on gator board with pumice ground by Marie Marfia.

Here’s my Work in Progress pics.

And if you’d like to purchase my darling girl, you can do that in my shop. She’s all dressed up and ready to go! She’s also available as a 8×10″ print or a 5×7″ greeting card.

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pastel painting of a boat on the water based on Edward Hopper's Ground Swell

Ground Skel

pastel painting of a boat on the water based on Edward Hopper's Ground Swell

Ground Skel, 16×20″ pastel on gator board with pumice ground, by Marie Marfia.

I thought about Ground Skelly, but then I went with Ground Skel because I love puns.

This piece was a joy to build, from start to finish, but I think I’m definitely going need more blue pastels soon! I love the swoop of the sloop and the way all the angles work within the composition. The clouds make this cunning dotted line across the sky and the waves roll forward like folds in a blanket. Steve asked me what was holding the sailors’ pants up and I said it was the same magic that allowed them to sail a boat!

I have to tell you, this Old (Dead) Masters series has given me so much pleasure, just in the few that I’ve done. I can’t wait to get on to the next one and see what I’ll learn from it.

Here are a couple work in progress pics for your viewing pleasure.

IMG_3445

The charcoal sketch.

IMG_3447

Skeleton crew.

Here’s the link to the original in my shop, and here is the greeting card. I’ll have prints available at The Starving Artist and The Attic soon.

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Productive day at the Attic

I am really enjoying the longer shifts (11am-6pm) fewer times per month there. I get at least two Saturdays off a month with the new schedule, so that’s great, plus I have more time to put a painting together while I’m working.

Yesterday I got most of the way through this little pin up skelly girl that will be part of the Skeleton Crew I’m bringing to Amelia Island Shrimp Festival this year, April 28-May1, 2016. I’m excited to have new art to show, and I have been busy planning on just how to offer it. I want to have 5-7 original paintings for sale (pin-up, seiner, shoveler, sorter, captain, ship with crew, cook, zombie shrimp), matted and framed prints of each painting that I will take orders for to ship after the show, and one print that I’ll give away at the end of the show. I may also offer cards of each painting, but I’m still deciding about that. It’s nice to have different price points but printing the inventory is a pain, since I do it myself, and it may also keep people from buying the prints instead, which is what I want to sell the most of.

This girl still needs a little more tweaking as well a title, though. I was thinking about “You’re the shrimp in my grits,” or something like that. Any ideas? Put them in the comments!

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Shrimp Festival developments

I paid the booth fee

So I guess that means I’m going to go. I’ve been waffling about whether or not this festival is a good idea or not. For one thing, Steve and I are trying to sell our house here in Florida so we can move back to Michigan. My life feels kind of higgledy piggledy and it’s hard to keep piling on. For another thing, I don’t have a tent to sell anything out of. And I don’t have any skeletons that are shrimp festival like.

But what the heck? If I really tried, I could find an excuse not to do anything ever again. I’m good at it. So what if I tried to find reasons to do this festival? What then?

Then I’d say, hey, my house has never been cleaner than it is right now so it’s a perfect time to get to work on a new skeleton series. I always feel more energetic when I’m organized. And I can probably borrow someone’s tent. Worst case scenario, I’ll rent one. It’s only money.

So I started doing some research on shrimpers and shrimp boats. I watched Forrest Gump. And I’ve been thinking pretty hard about what I could do to get people to want to buy skeletons, plus I’ve got some good marketing strategies that I’ve read recently that’ll help.

Shrimper ideas

Shrimper ideas

Tomorrow I’m going to get a little more finished with them. I’m thinking five or six shrimpers and one shrimp boat. Then I’m going to offer the originals at the festival and take orders for prints. I’ll have something to give away in exchange for contact information, maybe a girly shrimper skelly or something like that. Something fun and that’s not available to purchase in my booth.

Today, on Facebook, a friend asked me if I was fixated on death. I told him, No, they make me laugh. This shrimper series is a perfect example. It makes me grin to think of making shrimp boat workers decked out in rubber boots and gloves, holding their tools of the trade, and grinning from ear to ear. That’s what skeletons do. They’re always smiling, always having a good time. Who wouldn’t want to hang out with people like that?

 

 

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The Kiss

This one is going to be great!

That is, I hope it’s going to be great. I love Gustav Klimt’s paintings and all the beautiful gilding on them. A friend suggested I do a skelly painting based on The Kiss and I thought, why not? It’s iconic, it’s romantic, it’s gold!

The Kiss by Gustav Klimt, subject of my next Skelly painting!

The Kiss by Gustav Klimt, subject of my next Skelly painting! This image courtesy Wikipedia.

For this piece, I ordered some gator board. If I’m going to put gold leaf on this, it’s got to be on a pretty stiff ground. Paper is so flexible I’m afraid the gold would flake off. So here you can see I’ve started with black gator board. (I buy it at Uline, in case you were wondering.)

The gesture drawing on black gator board.

The gesture drawing on 18×18″ black gator board.

The gesture drawing on black gator board, detail

The gesture drawing on black gator board, detail

I love this piece already because of the patterns in the ground and on the clothing. I love the brush strokes in the background. I’ll start with the bones first, then work on the green ground with all the flowers, put in all the clothing details that are in color, then last, but not least, I’ll put the gold in. I have some gold leafing supplies, plus gold paint, plus gold metallic markers, so I ought to be all set.

I am probably too excited about this, but whatever! I’m just going to let it wash over me while I work. Stay tuned.

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