I’ve been having fun with an online pastel painting class by Marla Bagetta for the past few weeks. This painting is a result of an assignment to take a black and white landscape photo and turn it into a nocturne. So much fun!
Here’s the time-lapse for you:
If you’re interested in purchasing this painting, please email me.
Here it is with my reference photo.
I love to take classes, especially with someone whose work I admire. I learn something new with every lesson and I feel like I make more progress when I am accountable to someone other than myself.
Almost done! I still have a few little things to do before my skelly cowgirl and her trusty gator steed are finished, but she’s pretty close!
Hope you love it. I had a fine time putting this one together. Below are some of my progress shots.
As far as a title goes, I’ve decided on Forever Your Gator Girl, which I made up on my own. Usually I have a title in mind before I start a skeleton painting, so this was a little tougher but it’s all good now!
If you would like to purchase the original, contact me. Forever Your Gator Girl will be available for $500, including shipping anywhere in the continental USA. I’ll have prints and cards in my web shop next week, so stay tuned!
You may or may not know this, but I lived in Florida for ten years. I moved back to Michigan in 2016.
Florida is… different.
We had a house on the south side of Jacksonville, Florida. When we first moved there, it was early July and hotter than hell. The first thing we noticed was that there were no people outside. It felt spooky, like that scene in the Andromeda Strain where the guys in hazmat suits are walking around this little town and there’s no noise at all, no movement.
Before we left Michigan, all our friends shared their favorite horror stories about Florida. How there were snakes everywhere, giant face-sucking spiders, and millions of alligators. I spent most of our first year hiding in the house.
Eventually I stopped worrying about animals and insects. In fact, I discovered it was the human wildlife that was mostly likely to kill you and not a giant prehistoric reptile.
For instance, I found out someone was feeding raw chicken to an alligator in a retention pond around the corner from us. The pond was behind a chain link fence but if you walked too close to the edge the gator would scramble out from wherever it was hiding, looking for fresh meat.
Our time there wasn’t all dismal. I came to enjoy walking around in the preserve near our house. I saw an abundance of wildlife, including otters, javelinas, raccoons, foxes, snakes, and deer. North of town we visited the St. Johns River delta, which was flat out gorgeous. Once I walked out onto a long wooden pier into a sea of grass and felt like I was floating. There were beaches littered with driftwood and cloud-filled skies that went on for days. I loved how you could feel so small and yet so infinite at the same time.
Anyway, the background of this latest skeleton painting is inspired by some of that beautiful scenery that I used to paint when we lived there. I hope you like her. I’ll continue to post progress pictures, so stay tuned.
P.S. Any ideas for a title for this one? If I pick your suggestion I’ll send you a free print, so email me your ideas asap.
I had a booth at the Gold Coast Arts & Crafts Fair in Ludington, Michigan this past weekend and I’m in the process of putting my studio back together. Man, I made such a mess!
But it was so worth it.
First off, thanks to everyone who made it out to see me at the show. You guys rock! It makes my heart sing to see people looking at my stuff and laughing and giggling and then running back to grab their friends and relatives and bring them over so they can laugh and giggle, too. You’re my kind of people. I’m so glad we found each other.
Overheard in my booth:
“It’s not ‘inappropriate,’ it’s funny.” One young boy to his friend.
“Is it weird that I’m re-evaluating my life choices because I think this card is hilarious?” A woman holding “The Very Last Supper.”
Also, many thanks to everyone who entered my giveaway! I asked my neighbor down the hall to draw a name and the winner is (drum roll, please):
Scott, congratulations on winning the “Bone to be Wild” matted print. I’m going to be contacting you via email for a shipping address, so watch your in-box.
For everyone else, I’m extending the good deal on my skelly greeting cards for one more week (today through August 19, 2019), as a special thank you.
Buy 3 or more cards, get 33% off the total (it’ll show up in the shopping cart). Sale ends midnight on Monday, August 19, 2019.
Thanks again for coming out. You’re the best art fans ever.
I am still gathering together the inventory for this show. I have never exhibited here so I don’t know quite what to expect. Should I bring mostly Old (Dead) Masters? Or skeleton couples? Skelvis? I just don’t know. I guess I’ll bring a little bit of everything and see how it goes!
I’m going to give away a large print of one of my skellies after the show. I haven’t decided which one it’s going to be or whether I’m going to let the winner choose. (Email me your opinion and possibly confuse me even more!)
To enter, just stop by my booth (Section B, space 8) and fill out a form. While you’re there you can also get on my mailing list, but that’s totally optional. You don’t have to be on my mailing list to enter the contest. (But it’d be awesome if you were.)
The important stuff
What: Gold Coast Artisan Fair Where: Rotary Park, downtown Ludington, Michigan When: Saturday, August 10, 10-5 and Sunday, August 11, 10-4
Come on out! Say hello! Sign up to win a skelly print! And tell all your friends!
I moved my studio/gallery/office this past spring. Same building as before, but now I’m in the way back. Like, really far back. Like, so far back that no one really knows I’m there yet.
Which is kind of a relief.
To be honest, the space at the front of the building, with the big plate glass windows, felt too exposed. Anyone could see in.
Sometimes I’d put the closed sign on the door, just so I could relax a little bit. You know, roll out the yoga mat, do some stretches, take a nap, adjust my attitude.
There were days when I dreaded going in because the place was such a wreck. When I paint I have this tendency to pick pastels up and then drop them on any available surface and then it might be a day or two before they all got put back where they belonged. Yes, all right, it took months sometimes.
This was a problem because someone might see. But I couldn’t seem to stop making a mess. And then I’d feel embarrassed. Which is wrong, because a studio has to be able to be messy. That’s when the creativity happens for me. When every possible thing is floating around inside and outside my head. When it’s all loose.
But the old space was also a retail space and an office. So I was feeling some pressure to keep it looking nice.
The new space is not so nice, if you know what I mean. The brick walls are crumbling in spots. The drywall on the ceiling needs to be painted. The floor is plywood with gray paint on it. I’ve got frames and paintings everywhere.
My handy husband made me this huge table from two by fours and a varnished closet door and I’ve spread all, and I mean all, my pastels out on it. I can see every color of the rainbow all the time! It’s like living in a Froot Loop fairyland.
Anyway, I hope you stop by and visit the new digs. I plan to make lots of art and a ton of messes and I don’t care who sees.
If you’ve been by my shop recently you may have wondered if I’m still around. Especially given there’s a “For Rent” sign in the window and the giant “Bonafide Gallery” sign on the front window is gone.
Fear not! I still exist! Just on a different plane now.
I’ve moved, lock, stock and barrel, to the back of the same building.
To get to my shop you need to go in the front door (next to Cosmic Canine Creations) and down the hall and up the ramp. Or, if you’re feeling adventurous, you can park in the newly created city parking lot behind 307 S. James Street off Filer Street and walk into my shop through the back double doors.
I’m loving it in the way back. There’s lots more room to spread out and paint! Plus I’ve made a new display for my skellies.
I’m still moving things around, trying to get the best, most efficient use of all this space. One question I’ve gotten over and over since my move: how the heck did all this stuff fit it into the considerably smaller space up at the front of the building in the first place? Answer: No freaking idea.
Hours are still 10ish to 5ish Monday through Friday, unless I’m outside painting plein air (most mornings) or going to figure study class (Thursdays) or doing a hundred other things. Magpie brain, you know. It rules my life. Regardless, you can still come enjoy the art on the walls in the hall and have a peek at my studio.
Here’s what it looked like right after I got everything in there.
This piece took a while but it was totally worth it, if I do say so. She is fabulous!
At first I wasn’t sure I wanted to tackle the entire painting by Botticelli and I thought maybe I’d just do Venus. But it was going to be awkward because she’s not really standing in the center of the shell and I’d have to cut something off so I thought, oh the hell with it, I’ll just do the whole thing.
Coincidentally, I happened to read about a method using pastel pencils to create portraits that really kind of glow so I thought I’d try it out on this particular work. Lo and behold, it ended up being awesome, but it also took a loooooooong time to do!
So apologies for making you wait so long for the latest in my Old (Dead) Masters series, but wasn’t it worth it? I think so!